Margaret of Navarre

Margaret of Angoulême, later Queen of Navarre, was born to Charles, Count of Angoulême, and Louise of Savoy.

Margaret's mother, Louise of Savoy, becomes regent of France during the absence of King Charles VIII, influencing Margaret's early education and political awareness.

Margaret receives a comprehensive education in literature, philosophy, and languages, reflecting the humanist ideals of the Renaissance.

Margaret is married to Charles, Duke of Alençon, strengthening political alliances and enhancing her status in the French court.

Upon her husband's death, Margaret becomes the Duchess of Alençon, gaining significant influence and independence.

Margaret accompanies King Francis I to the famous meeting with Henry VIII of England, showcasing her diplomatic and cultural acumen.

Margaret plays a crucial role in negotiating the Treaty of Madrid, securing the release of King Francis I from captivity.

Margaret marries Henry II of Navarre, becoming Queen of Navarre and further expanding her influence in both politics and culture.

Margaret gives birth to Jeanne d'Albret, who will later become a significant figure in the French Reformation.

Margaret starts composing 'Heptameron,' a collection of short stories modeled after Boccaccio's 'Decameron,' reflecting her literary and humanist interests.

Margaret actively sponsors artists and writers, including Rabelais and Clément Marot, fostering the Renaissance in France.

Margaret provides protection and support to Protestant reformers, including John Calvin, contributing to the spread of Reformation ideas.

Margaret publishes 'Miroir de l'âme pécheresse,' a devotional poem that becomes widely read and influential in religious circles.

Margaret continues to support and commission works from prominent Renaissance artists and writers, solidifying her reputation as a patron of the arts.

Margaret's brother, King Francis I, dies, marking a significant shift in the French political landscape and her role within it.

Margaret of Navarre dies in Odos, leaving behind a legacy as a patron of the arts, a writer, and a significant political and cultural figure of the Renaissance.